A city without mercy, this city feels bad
Universal scum, black white, blood red
Out of the can, need no love for sale
The night is hot as hell,
She smells like angels oughta smell
I’m in a lousy part in a lousy town
Staring at a goddess, the perfect woman
she's telling me she wants me, now I’m so lucky
I’m not going to waste one more second, baby!
Bridge:
She’s worth dying for, worth killing for…
This is blood for blood
This is the old days, the bad days, the all-or-nothing days
This is Sin, Sin, Sin City
I'll stare the bastard in the face as he screams to God
and I'll laugh harder when he whimpers, this priest bastard
and hell will seem like heaven to him,
after what I’ve done
Bridge:
She’s worth dying for, worth killing for…
This is blood for blood
This is the old days, the bad days, the all-or-nothing days
This is Sin, Sin, Sin City
This is blood for blood
This is the old days, the bad days, the all-or-nothing days
This is Sin, Sin, Sin City
(she’s laying next to me, they left her bleed and now hell will seem like heaven for them)
Sin, Sin, Sin City
She’s worth dying for, worth killing for…
The Fright’s dark musical sound derives not only from goth rock legends such as Bauhaus, The Cult, Mission, Sisters Of Mercy and 69 Eyes (who they toured with in 2013), but also traditional hard rock and heavy metal
The Portland power duo cast a wide and winning net on their debut LP, with elements of goth rock, heavy metal, Americana, and more. Bandcamp New & Notable Nov 9, 2022
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace. Bandcamp New & Notable Oct 25, 2023